pedales overdrive Old Blue Overdrive V2 – Oneder Effects
SKU: 38061824948
pedales overdrive

pedales overdrive Old Blue Overdrive V2 – Oneder Effects

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Description

pedales overdrive Old Blue Overdrive V2 – Oneder EffectsThe Old Blue Overdrive from Oneder Effects quickly became a best seller and a mainstay on pedalboards all over the world. Now with the updated circuitry in V2, there's no doubt that Old Blue is one of the most versatile and useful drives on the market. It's your always on. It's the heft, grit, and sparkle you've been missing from other "transparent" pedals you thought you'd like. It's my desert island pedal and I hate to sound cocky, but it's just the

The Old Blue Overdrive from Oneder Effects quickly became a best-seller and a mainstay on pedalboards all over the world. Now with the updated circuitry in V2, there's no doubt that Old Blue is one of the most versatile and useful drives on the market. It's your always-on. It's the heft, grit, and sparkle you've been missing from other "transparent" pedals you thought you'd like. It's my desert island pedal and I hate to sound cocky, but it's just the best. I made it that way on purpose. I think you'll really like it. 

The clipping toggle is where most of the magic happens, with the familiar PLUS setting (more open, gainy, bright) and MINUS (compressed, smooth). V2 offers a new clipping option (labeled V2) that sits perfectly between the original sounds. It's by far my favorite, and dare I say the most "amp-like." Clipping tonal changes are most noticeable at higher gain settings. The weight contour was also upgraded, making it a much more noticeable sweep, and now allows you to cut low end when you go below noon. Finally, Old Blue CAN get more transparent if you need it! This is a great tool when stacking pedals, using thicker sounding pickups, or goosing a high gain amp. Don't fret, the same thick Old Blue V1 sounds are there from noon to max. Don't be afraid to max out the weight knob, it sounds great, and even adds a bit more gain!

Low gain boost, mid-gain overdrive, or saturated high gain sounds, Old Blue does it all, and does it well. And before you ask, YES, Old Blue loves basses and lower tunings! It's what the internet dubbed "The Emo Pedal". Your Nashville session pedal. The pedal that inspires you to finally write that record. Old Blue is your trusty overdrive.

-Updated artwork by Jesse Augustine

-Top Mounted High Quality Neutrik Jacks

-Clickless relay bypass Footswitch

-9v DC Center Negative Power Only!

-Built By Hand in Michigan, USA

OLD BLUE V2 MANUAL

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SKU: 38061824948

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4.1 ★★★★★
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Verified Purchase
Wilbur F. Pierce
Louisville, US
★★★★★ 5
An Excellent Choice
Format: Paperback
Excellent introduction, notes and translation.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 8, 2017
D
Verified Purchase
David Lemberg
Battle Creek, US
★★★★★ 5
Five Stars
Format: Paperback
Professor Cornford's translation with running commentary is definitive.
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Reviewed in the United States on November 5, 2015
J
Jordan Bell
Phoenix, US
★★★★★ 5
Plato's dialogue about the physical world
Format: Paperback
The two biggest topics in the Timaeus are astronomy and the elements of bodies, which are constructed using triangles and the tetrahedron, octahedron, icosahedron, and cube. I would like to see a translation of the Timaeus that uses it as a way to introduce all the astronomy that appears in the dialogue. Introducing the astronomy does not mean just talking in words about spheres or the zodiac or the ecliptic, but actually explaining how these were used by astronomers. Cornford has much to say, but to someone who has not learned any Greek astronomy his commentary will be opaque and hard to use. I didn't know the astronomy well enough to readily understand Cornford's explanations. I plan to learn more classical Greek astronomy, perhaps using Evans' , and then read Waterfield's translation of the Timaeus . Before reading this you should have read the Republic and know some classical Greek natural philosophy, mathematics, and astronomy. Although Cornford's commentary makes the dialogue staccato, I am glad for it because I wouldn't otherwise have understood much of what Plato says. The Timaeus and the Parmenides are the two dialogues of Plato that one needs commentary to understand; the Parmenides demands the commentary because so much of what is happening depends on the original language, and the Timaeus demands the commentary because of all the things the reader is supposed to be familiar with. The following is a list of topics I kept while reading the dialogue: theory of Forms 27d-28a, 51a-52a; harmonics 35b-36b; time 37c-38e, 39b-e; vision 45b-46c, 67c-68d; space 52b; surfaces 53c; weight 62d-63e; sound 67a-67c; physiology 70c-79e, 80d-86a; antiperistasis 79e-80c.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2015
S
Steve Lookner
Whiting, US
★★★★★ 4
Helpful, but Waterfield is better for an intro
Format: Paperback
This is basically a scholarly paragraph-by-paragraph commentary on the Timaeus. It's really good for what it is, but I don't recommend it as your first introduction to the Timaeus -- rather, I recommend Waterfield: http://www.amazon.com/Timaeus-Critias-Oxford-Worlds-Classics-ebook/dp/B006NTMD16 A problem with using Cornford as an introduction is that he comments on everything, and it's hard to figure out what the main themes are. I tried reading Cornford as an intro and gave it up, but once I'd read Waterfield I found Cornford extremely helpful both in elucidating passages further than Waterfield does, and in interpreting passages Waterfield doesn't cover. So if you're looking to learn about the Timaeus, I'd suggest Waterfield first and Cornford second (or Cornford alongside Waterfield).
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Reviewed in the United States on February 24, 2014
B
Brian Chrzastek
Grantham, US
★★★★★ 5
Cornford's running commentary is arguably the best suited to fulfill this desire
Readers of any of Plato's works are bound to feel they might profit from various commentaries. His Timaeus, in particular, may be said to elicit such a hope because of number and intricacy of its details. Cornford's running commentary is arguably the best suited to fulfill this desire: it helps make clear the integrity of the dialogue as a whole and illumines the specific points along the way. Although this work is certainly dated, originally published in 1937, it is certainly one of the best full commentaries on the Timaeus.
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Reviewed in the United States on November 4, 2014

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